font_designer: Jamie Nazaroff
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
There was not much in the way of inspiration for this face, and the entire thing was created in under two days. Quite a feat given that most Zang-O-Fonts typefaces take weeks or months...
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
I’ve heard it described as “Copperplate Gothic” on LSD. It’s broad, funky and dangerously pointy.
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
Inspired by a hypnotism show, McGurdy is a heavy display face that works well in both casual and formal settings.
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
Strong, hard lines inspired the name of this font, based on the “nuclear standard” set by the U.S. and the Soviets during the cold war.
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
Eroded, skeletal and gaunt, Obsessed was one of Zang-O-Fonts first typefaces, and is loosely based on a couple of Art Deco faces.
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
Strict, strong and narrow, Perpetuity is clean and perfectly designed to be used as a more formal display face.
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
Messy and sloppy, Pillowbiter is one of the few grunge fonts that Zang-O-Fonts has produced.
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
Very light and italicized, this font was created as a somewhat futuristic interpretation of a modern font.
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
The best way to describe it is a drunken Roman font. Very imperfect, narrow and full of little curls and quirks, Lush is distinct and easily adaptable.
May 26, 2015
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· Published May 26, 2015
· Last modified May 19, 2024
An imperfect mix between a Roman and a Modern font, Marc Anthony can be used easily for display or body text.