font_designer: Jeff Levine

The lettering found on an 1878 Salt Lake City advertisement for the Forepaugh’s Circus inspired Faux Pas JNL, which is a bit of a pun on the circus’ name and also a commentary on...

Samuel Welo’s “Studio Handbook for Artists and Advertisers” was a popular book of inspiration for sign painters, graphic artists and designers from the 1920s through the 1960s. Many digital revivals of Welo’s hand lettered...

The hand lettered opening titles from the 1944 Laurel and Hardy comedy “The Big Noise” served as the inspiration for Movie Screen JNL, which is available in both regular and oblique versions.

Around 2018 or 2019, the State of Florida introduced new letter and number characters on its auto plates. Inspired by this change, Jeff Levine Fonts offers up a digital version of this lettering named...

Based on the classic “Columbian” from the William H. Page Wood Type Company (circa 1870), Cherrywood JNL is a bold slab serif type design available in both regular and oblique versions.

A poster circa 1930s-40s designed for the WPA Federal Art Project promoted free band concerts at the Brooklyn Museum in Brooklyn, New York. Its headline (“Free Band Concerts”) was hand lettered in a dual...

Normally, a short paragraph or two on this page tells the backstory to a font design. In this particular case, that story has been lost to time. Whatever the original source – whether a...

Although the Art Deco movement is generally attributed to the 1930s and 1940s, a number of design influences were showing up during the late 1920s in what is referred to as the Art Nouveau...

The title hand lettered onto the 1933 sheet music cover for “Yours is My Heart Alone” represents the classic Art Deco typographic features of unusual character shapes and widths, yet at the same time...

Squared letters with rounded corners – Deco stylized letter forms – some characters with ‘hook’ semi-serifs – such is the mixed styles that comprise the hand lettered title “United We Stand” on a 1940s-era...