Screen Sans is a large family of constructed-style sans serif fonts. These fonts feature forms that look like those that have been favored by engineers for over a century. Their letters are straight-sided, and...
by Staff · Published August 31, 2019
· Last modified December 28, 2022
Thug Plain and Thug Rough are two heavy slab serif fonts optimised for posters. The thick strokes and serifs are the typeface’s predominate features. Despite looking so dark, Thug channels contemporary design ideas more...
by Staff · Published August 31, 2019
· Last modified December 28, 2022
Spencerio’s letterforms are inspired by Spencerian-style calligraphy – which are usually written at a slope with a pointed pen. The natural state of each Spencerian stroke is a thin hairline; when the calligrapher wants...
by Staff · Published August 31, 2019
· Last modified July 11, 2020
Tabular is a family of ten monospace sans serif fonts; there are five weights, each with a companion italic. Every glyph in Tabular family shares the same advance width, meaning that line-wrap isn’t affected...
by Staff · Published August 31, 2019
· Last modified July 11, 2020
Title is a typeface family for film titles and credits sequences. Its design is narrow and utilitarian. The compressed letterforms are made up of almost monolinear strokes – only some characters have only visible...
by Staff · Published August 31, 2019
· Last modified July 11, 2020
Rosaline is a casual script face, inspired by brush-lettering. Its letterforms are wide and have high stroke contrast. Being a connected script design, Rosaline’s letters all connect with one another (even the ‘@’ connects,...
by Staff · Published August 31, 2019
· Last modified December 28, 2022
For a constructed sans, Intercom’s letterforms are quite open, which increases their legibility. The typeface is designed for newspaper headlines and other editorial or corporate identity projects. It features lowercase letters with a tall...
by Staff · Published August 31, 2019
· Last modified December 28, 2022
Hate is a display design for Halloween and horror movie posters. While it isn’t an everyday typeface, Hate was developed with the same degree of consideration we’d put into a superfamily. Far from being...
by Staff · Published January 11, 2016
· Last modified July 11, 2020
Jérémie Hornus’s Volkart is a Latin-script typeface with 18 styles; nine of those are italics. The family is a neo-grotesk design, and it is one of ITF’s largest releases to-date. Volkart’s appearance is classic...
by Staff · Published October 10, 2015
· Last modified December 28, 2022
Eurosoft is a friendly rounded sans with 10 styles. It was designed in Paris by Jeremie Hornus and Clara Jullien for ITF. The typeface’s appearance is very technical-looking. Its letterforms are square-like in terms...