My affection for Slab Serifs began in the early 1960s in Kansas City when Rob Roy Kelly was at the Kansas City Art Institute, teaching and writing his book on American Wood Type. I...
by · Published May 26, 2015
· Last modified May 18, 2024
Modesto Initials had existed as a single font for several years. I recently added a fill font to put color in the Inlines. The Inline font still works by itself. The Fill font works...
by · Published May 26, 2015
· Last modified May 18, 2024
Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus...
by · Published May 26, 2015
· Last modified May 18, 2024
Fresno is a two-font family. Fresno Inline and Fresno Black. Fresno Black is a recent addition. It can be used alone, and it is carefully tailored to fit behind the Inline font to add...
by · Published May 26, 2015
· Last modified May 18, 2024
In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins’ Electra and incorporated many features of the Linotype Legibility Series: More compact, with a...
by · Published May 26, 2015
· Last modified May 18, 2024
Amboy is a two-font family. Amboy Inline and Amboy Black. Amboy Black is a recent addition. It can be used alone, but it is carefully tailored to fit behind the Inline font to add...
by · Published May 26, 2015
· Last modified December 10, 2024
American type designer Jim Parkinson created this display FontFont in 1996. The family contains 2 weights and is ideally suited for advertising and packaging, film and tv, editorial and publishing as well as poster...
by · Published May 26, 2015
· Last modified December 1, 2024