Though Zigarre can easily be categorized a brush script, Jim Rimmer actually drew it using a big marker. Jim’s original face, inspired by inter-war German poster lettering, was a rough one, with the marker’s...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Cotillion is an original design Jim Rimmer finished just before the turn of the century. Alongside its evidence of Jim’s nostalgia at the deco type designs he was exposed to as a child, it...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer’s left-handed calligraphy. It was designed and cut in 24 p in the early 1980s,...
by Staff · Published May 26, 2015
· Last modified April 8, 2020
Albertan was the first Jim Rimmer typeface to make the transition from metal to digital. And for very good reason. When the first roman face was cut at 16 pt. in 1982, it was...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Isabelle is the closest thing to a metal type revival Jim Rimmer ever did. The original metal face was designed and cut in late 1930s Germany, but its propspects were cut short by the...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Drawn shortly before Jim Rimmer’s passing in 2010, Loxley was designed to be used in a fine press edition of the folklore story of Robin Hood. It was named after the cited birthplace of...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
When type historians look back on Jim Rimmer, they will consider him the last type designer who just couldn’t let go of metal type, even though he was just as proficient in digital type....
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Originally released in 2008, Stern is the only typeface to be produced and marketed simultaneously in digital and metal. In the twenty-first century, no less. It is also the last typeface Jim Rimmer ever...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Lapis was Jim Rimmer’s venture into a territory he’d earlier explored with his Lancelot and Fellowship faces. This time he stayed much longer, dug pretty deep, and had plenty of fun in there. The...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Jim Rimmer aptly described his Dokument family as a sans serif in the vein of News Gothic that takes nothing from News Gothic. Building on that internal analysis, Dokument Pro is the thoroughly reworked...