In 1943, Guillermo de Mendoza started drawings for an incised alphabet, a year before his death. His son José used them as an inspiration for his Pascal typeface, for which the origins date back...
by · Published May 26, 2015
· Last modified March 18, 2021
As its name implies, Photina was created specifically for phototypesetting, the technology that preceded digital and laser typesetting. Photina was designed by Jose Mendoza y Almeida in 1971 and was the third face made...
by · Published May 26, 2015
· Last modified May 15, 2024
Fidelio was named after Beethoven’s only opera. It is a chancery italic typeface with swashes that seems to lack a clear systematic organisation: some characters have even more swash versions and some don’t have...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Sully-Jonquières (1980) is Mendoza’s most original calligraphic type design. It started as a commission from Henri Jonquières, a French publisher; the prefix ‘Sully’ was taken from the Hôtel de Sully in Paris, in which...