TheSans is a modern classic. A favourite for corporate design, editorial design and new media, it comes in an astounding range of widths and weights, including a large set of hairline fonts.
by · Published March 21, 2022
· Last modified December 6, 2024
TheSerif is part of the Thesis superfamily. Although it was conceived to be the perfect secondary font within the Thesis system – for use in headlines, subheads, pull quotes, etc. – TheSerif has also...
by · Published March 21, 2022
· Last modified December 6, 2024
Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated...
by · Published March 21, 2022
· Last modified December 6, 2024
Spiegel Sans combines the shapes and proportions of an American-style gothic – the ultimate industrial typeface – with subtle diagonal stress and almost imperceptible traces of handwriting.
by · Published March 21, 2022
· Last modified December 6, 2024
Koning transports high-contrast sans serifs into the present. Koning is the Dutch for king. Given the design’s elegance, this name should come as no surprise. It has been recognized with numerous awards: TDC Certificate...
Floris was developed on a four-dimensional grid of several axes or parameters: weight, width, x-height and ascender/descender height. This makes it possible to allow for fast customization – i.e., the design of Floris versions...
This special newstext version of TheAntiqua was developed in close collaboration with the Berlin newspaper Die Tageszeitung (taz). Its sturdy forms were optimized for newspaper stock. This font family is currently being reworked and...