Designed at Poligraphmash circa 1940. Based on Latinskaya of the H. Berthold (St.Petersburg, 1901), Cyrillic version of Lateinisch of H.Berthold (Berlin, 1899). This digital version developed at ParaGraph in 1996 by Lyubov Kuznetsova. The...
by · Published May 26, 2015
· Last modified May 15, 2024
Designed for ParaType in 1990 by Lyubov Kuznetsova. A bold square-serif style. For use in advertising and display typography. The decorative style was added in 1993 by Lyubov Kuznetsova and Alexander Tarbeev.
by · Published May 26, 2015
· Last modified May 15, 2024
The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H....
by · Published May 26, 2015
· Last modified May 15, 2024
Designed in 1976–81 by Michael Rovensky (1902–1996) as the body text companion of his Bazhanov Display typeface (1961), of Polygraphmash typefoundry. Based on the lettering by Moscow book designer Dmitry Bazhanov (1902–1945). With old-fashioned…
by · Published May 26, 2015
· Last modified May 15, 2024
PT Telingater Display™ was designed in 1959 by a well-known Soviet book designer Solomon Telingater (1903-1969) at Polygraphmash type design bureau. The typeface was awarded the Silver Medal at the International Book Art Exhibition...
by · Published May 26, 2015
· Last modified May 15, 2024
Neva Regular with Italic was created by Moscow book and type designer Pavel Kuzanyan (1901-1992) at Polygrafmash in 1970 for slugcasting and display composition. Based on simple strict letterforms of Russian classical typefaces. Neva...
by · Published May 26, 2015
· Last modified May 15, 2024
The typeface was designed at the Polygraphmash type design bureau in 1951-53 by Lev Malanov, Elena Tsaregorodtseva et al. Based on Cyrillic version of Excelsior, 1931, of Mergenthaler Linotype, by Chauncey H. Griffith. Excelcior...
by · Published May 26, 2015
· Last modified May 15, 2024
The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine...
by · Published May 26, 2015
· Last modified May 15, 2024
The hand composition typeface was developed at the Ossip Lehmann type foundry (St. Petersburg) in 1904-07 (after designs by Alexander Leo?). It was redeveloped at Polygraphmash in 1960s for slugcasting composition. Named after Russian...
by · Published May 26, 2015
· Last modified May 15, 2024
PT Bazhanov™ was designed at Polygraphmash type design bureau in 1961 by Michael Rovensky (1902-1996). Based on the lettering by Moscow book designer Dmitry Bazhanov (1902-1945). Old-fashioned flavor of this design recreates the Soviet…