MVB Magnesium
Mark van Bronkhorst’s MVB Magnesium is based on his impressions of a style of lettering often seen on early 20th century hand-painted signage. With its thick-thin strokes and angled terminals, MVB Magnesium is a...
font_designer: Mark van Bronkhorst
MVB Magnolia
A comfortable tuxedo, a bright boutonniere, and a spring in your step. With Magnolia, Mark van Bronkhorst’s aim was to convey a sense of formality without stiffness. The slim lines and swooping vertical strokes...
MVB Celestia Antiqua
Mark van Bronkhorst designed MVB Celestia Antiqua at a time when font choice was limited. Design was characterized by overuse of the few fonts that came with laser printers. A rustic typeface, recalling the...
MVB Embarcadero
MVB Embarcadero lies in a space between grotesque sans serifs and the vernacular signage lettering drawn by engineers. It’s a style that happens to convey credibility and forthrightness without pretense—it’s anti-style, actually. All of...
Sweet Titling No. 22
Sweet Titling No. 22 is part of the Sweet Collection of engraved lettering styles from the 20th Century, published by MVB Fonts. This obscure, art deco design would have been used for engraved letterhead,...
Sweet Sans
The engraver’s sans serif—strikingly similar to drafting alphabets of the early 1900s—has been one of the most widely used stationer’s lettering styles since about 1900. Its open, simple forms offer legibility at very small...
Sweet Sans Pro
The engraver’s sans serif—strikingly similar to drafting alphabets of the early 1900s—has been one of the most widely used stationer’s lettering styles since about 1900. Its open, simple forms offer legibility at very small...
MVB Verdigris Pro
Garalde: the word itself sounds antique and arcane to anyone who isn’t fresh out of design school, but the sort of typeface it describes is actually quite familiar to all of us. Despite its...
Sweet Square
The Engraver’s Square Gothic—like its rounder cousin, the engraver’s sans serif, Sweet® Sans,has been one of the more widely used stationer’s lettering styles since about 1900. Its minimal forms, made without curves, were popularized...
MVB Solitaire Pro
A typeface is a tool. Sure, there are frilly fonts that are more art than craft, showy faces that exist merely to call attention to themselves. But, in the end, any functional typeface worth...