Free Fonts
Matthew Carter’s Miller is a seminal reinvigoration of the 19th-century Scotch Roman, serving forthright, authoritative body copy and headlines since 1997. Miller Text has always been the epitome of a reliable publication workhorse. Alongside...
A 1766 specimen by Isaac Moore, former manager of Joseph Fry’s foundry in Bristol, England, shows many types inspired by John Baskerville’s. But a century later, standardization had foisted inept lining figures and shortened...
Miller, designed by Matthew Carter, is a “Scotch Roman,” a class of sturdy, general purpose types of Scottish origin, widely used in the US in the last century, but neglected since & overdue for...
The three largest sizes of type made by the Caslon foundry are strangely unlike the famously consistent text faces cut by William Caslon. Perhaps they were the work of other hands—or of the master...
The new Linotype® Devanagari typeface is a traditional text face now available in five weights (from Light to Black) and suitable for a wide variety of print and digital uses. A compact design, Linotype...
An original Freehand script designed for Mergenthaler in 1965 by Matthew Carter.
Designed by Nadine Chahine, the Amariya™ typeface family is intended for long form, on-screen textual content. It supports the Arabic, Persian and Urdu languages. The design is consistent with traditional text typeface models popular...
Miller, designed by Matthew Carter, is a “Scotch Roman”, a class of sturdy, general purpose types of Scottish origin, widely used in the US in the 19th century, but neglected since and overdue for...