In 1903, the typeface family Alternate Gothic was developed for ATF (American Type Foundry) by Morris Fuller Benton. It was Benton’s intent to solve many diverse layout problems with the development of a narrow...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
With its extended complement, this comprehensive redesign of Bank Gothic by Elsner+Flake offers a wide spectrum for usage. After 80 years, the typeface Bank Gothic, designed by Morris Fuller Benton in 1930, is still...
by Staff · Published April 9, 2019
· Last modified May 15, 2024
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other typeface developments from the...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
Franklin Gothic EF is a font family from the Elsner+Flake Library. It had its debut in 2000. In 2016 it was renovated and an additional weight “Italic“ was added.
by Staff · Published May 26, 2015
· Last modified May 17, 2024
Eighty years ago the mannered work of the seventeenth century protestant punchcutter, Jean Jannon of Sedan, was confused with that of Claude Garamond and was widely copied as his. This version, designed for American...
by Staff · Published May 26, 2015
· Last modified October 6, 2015
Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.
by · Published May 26, 2015
· Last modified May 17, 2024
This timeless classic is patterned after the typeface Camelot, designed by Morris Fuller Benton for American Type Founders in 1926. Its elegant lines and pleasing color make it suitable for both headline and text...