font_designer: Nick Curtis

An ultrabold font, reminescent of the logotype lettering for The New Yorker magazine. The freeware (TrueType) version has a limited character set. The Pro Set (Postscript) version has a complete character set (Adobe Standard...

A quirky font based on Cubist Bold, designed by John Zimmerman for Barnhard Brothers and Spindler, circa 1929. The freeware (TrueType) version has a limited character set. The Pro Set (Postscript) version has a...

This assertively Art Deco face is based on Cubist Bold, designed by John W. Zimmerman for Barnhart Brothers & Spindler in 1929, and takes its name from one of the co-founders—with Pablo Picasso—of the...

Yet another variation of the Super Veloz fonts designed by Catalan typographer Juan Trochut Blanchard. The freeware (TrueType) version has a limited character set. The Pro Set (Postscript) version has a complete character set...

A font with a strong graphical appeal, based on the logotype lettering for the comic magazine of the same name, designed by Dutch illustrator Joost Swarte. Both versions of this font contain the Unicode...

A casual and fun-loving font based on the work of showcard artist Albanis Ashmun Kelly, from his 1911 book “Expert Sign Painter,” and named for a long-running comic strip. Both versions of this font...

A font with a strong graphical appeal, based on lettering designs by Dutch comic book illustrator Joost Swarte. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character...

This font was inspired by Arts and Crafts lettering found on the cover of the Austrian journal Ver Sacrum (Sacred Spring), 1898. Primarily an uppercase-only font, there are several variants in lowercase positions. Both...

A WPA poster announcing the latest production by—guess who?—the Big Tent Players inspired this eye-catching, if somewhat unconventional, typeface. Both versions of the font include the 1252 Latin and 1250 CE character sets (with...