Lewis F. Day, in his book Alphabets Old and New, offered this typeface as an example from sixteenth-century England of lettering incised in wood. The font is essentially monocase, but there several lowercase letters...
by · Published May 26, 2015
· Last modified May 18, 2024
Handlettering in an ad from the 1920s for a Chicago engraving company provided the inspiration for this fine, fat, flowing face, full of fun and antique charm. Both versions of this font include the...
by · Published May 26, 2015
· Last modified May 18, 2024
The inspiration for this elegant, willowy typeface was found in the 1903 type specimen catalog of Barnhard Brothers & Spindler. The original version was named “Racine”; this version takes its name from another town...
by · Published May 26, 2015
· Last modified May 18, 2024
This luscious, loopy Lombardic face was inspired by an offering in the 1938 classic, Letters and Lettering by Paul Carlyle and Gus Oring. Suitable for formal or informal occasions. Both versions of this font...
by · Published May 26, 2015
· Last modified May 18, 2024
In his book Brushstroke and Free-Style Alphabets, Dan X. Solo called this typeface “Tamarind Script” but, whatever its name, this sparkly little gem will add rollicking retro charm to any project it graces. The...
by · Published May 26, 2015
· Last modified May 18, 2024
Ross F. George, the lettering wizard behind many an edition of Speedball lettering books, called this quirky creation “Spatter and Spot Roman”. In this version, the spatters go, but the spots remain, and a...
by · Published May 26, 2015
· Last modified May 18, 2024
J. M. Bergling, in his 1914 masterwork Art Alphabets and Lettering, offered this face as suitable for all occasions Greek, and we couldn’t agree more. Both versions of this font include the complete Unicode...
by · Published May 26, 2015
· Last modified May 18, 2024
A fitting complement to the ever-popular Saturday Morning Toast is this book weight, monoline version, popular in the early twentieth century. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European)...
by · Published May 26, 2015
· Last modified May 18, 2024
In his book Showcard Alphabets, Dan X. Solo called this little gem “Whitestone Scrawl”. This version is beefed up slightly and the letter proportions have been altered somewhat, but it’s still LOADS of fun....
by · Published May 26, 2015
· Last modified May 18, 2024
In the 1921 work Letters and Lettering by Frank Chouteau Brown, these letterforms were offered as examples of typical medieval English fare. The font is all caps, but there are variant letterforms in all...