Whoever knew the Red Menace could be such fun? This bold and bouncy face is based on a Cyrillic alphabet presented in the book Schrifti Alphabeti, published in the Soviet Union in 1979. It...
by · Published May 26, 2015
· Last modified May 18, 2024
A little Compacta, a little Impact, a little photolettering from the 70s, all rolled into one make for a unique headline face that commands attention. Although this font is primarily unicase, the lowercase positions...
by · Published May 26, 2015
· Last modified May 18, 2024
Here’s a clean, simple architectural-blueprint style, eminently suitable for subheads and text blocks. Inspired by and named for a gentlewoman who gave up a career as an architect in Bolivia to care for the...
by · Published May 26, 2015
· Last modified May 18, 2024
A simple, elegant semiscript…enough said. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.
by · Published May 26, 2015
· Last modified May 18, 2024
Break out the love beads and fire up the lava lamps, and make way for this hippy, dippy homage to the Sixties. Finely tuned letterforms and extensive, thoughtful hand-kerning means your headlines will ride...
by · Published May 26, 2015
· Last modified May 18, 2024
Extrabold and exuberant caps from a blackletter face rendered by Ross George in his perennial Speedball Text Book have been combined with a more restrained and traditional lowercase to create a unique and striking...
by · Published May 26, 2015
· Last modified May 18, 2024
A sign at the 81st Street (Museum of Natural History) New York subway stop provided the pattern for this mosaic tile face. The font features a full-tile background at the bar position (shift-backslash) and...
by · Published May 26, 2015
· Last modified May 18, 2024
The letterforms of Lucien Bernhard’s stylish, if somewhat anorexic, Bernhard Fashion were beefed up and complemented with thick-and-thin stroke variation to create this elegant family, available in normal and bold weights. Additionally, Bernhard’s…
by · Published May 26, 2015
· Last modified May 18, 2024
This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau...
by · Published May 26, 2015
· Last modified May 18, 2024
In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face “Teutonic”. This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section...