A wooden face, rather prosaically named Gothic Bold, from Hamilton’s 1889 specimen book provided the pattern for this bold and brassy face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s an unusual take on the classic Tuscan face of the 1880s. The unusual finials lend a slightly spooky feel to the face, hence its current name. Both versions support the Latin 1252, Central...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
In 1905, artist and illustrator Will Bradley devised the pattern for this charming face. A little bit quirky and a whole lot of fun. Both versions support the Latin 1252, Central European 1250, Turkish...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Franklin Type Foundry’s 1897 specimen book offered the patter for this face. Numerals maching the lowercase are standard but, if you want numbers to match the uppercase letters, activate Stylistic Alternates in OpenType-savvy applications....
by Staff · Published May 26, 2015
· Last modified May 18, 2024
An offering from the 1910 specimen book from Inland Type Foundry, originally called Drew, provided the pattern for this engaging little face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A collection of design elements used in logotypes and calling cards from the Victorian era. A PDF file included in the package shows how to construct the various elements
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Fat, wide and friendly—that describes this offering from the Miller and Richards foundy of Glasgow to a tee. Use it in good health. Both versions support the Latin 1252, Central European 1250, Turkish 1254...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A typeface from the 1883 MacKellar, Smiths and Jordan specimen book, called Roundhead, offered the pattern for this rollicking headline face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s something you don’t see every day—Italian Art Deco woodtype. It’s suave but unsophisicated, an unpretentious charmer. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.