Goodchild
Goodchild is a robust Jenson revival with large x-height and short capitals that make it a workhorse for text setting. At display size, its crisp, no-nonsense details provide a contemporary freshness.
font_designer: Nick Shinn
Morphica
This critique of the utilitarian is a perverse and disjunctive mash-up of thematic devices: sans mixed with serif, stroke contrast applied to techno armature, body parts displaced and elided. We are asked to admire...
Panoptica
New formula for an alphabet: unicase + tabular
Preface
Preface vs. Helvetica/Futura/Gill: a different strategy of text color. Whereas the established classes of sans serif typeface achieve a dynamic balance between stroke and space by combining a diversity of letterform with an evenness...
Brown
Brown Gothic is a compact sans serif face, with rounder letterforms than the usual condensed grotesques such as Helvetica, Univers, et al. It has a barely discernible “distressing”, which is slightly less perceptible in...
Worldwide
Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.
Artefact
Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.
Beaufort
Engaging the issue of scalability, Beaufort® is configured so that serifs render with great sharpness, independent of type size, limited only by device resolution. This scale of effect empowers the typographer with a design...
Walburn
Condensed “modern” family based on the early 19th Century Walbaum typeface. A variety of treatments for use at sizes ranging from text to large display, where the micro-detailing comes into full effect.
Alphaville
All has been said, unless words change their meanings and meanings their words.