Ambergate is a new typeface family redolent of the late 19th and early 20th centuries. It’s a display family of four small capitals roman faces, incised and elaborated with filigree scrollwork. The four typefaces...
by Staff · Published August 22, 2015
· Last modified December 28, 2022
The Flinscher family contains twenty display typefaces, in weights that vary from light to black, and widths that extend from condensed to expanded. The family’s design inspiration traces its roots to the early portion...
by Staff · Published June 19, 2015
· Last modified December 28, 2022
Albion’s Marker No.1, as the name suggests is the first in a series of ‘Marker Pen’ typefaces- merging good type design practice with deliberately casual and hand-drawn letter forms. Inspired by the great classic...
by Staff · Published June 19, 2015
· Last modified December 28, 2022
Display Hatched is ideal for posters with an industrial theme and is designed as a complement to Greater Albion’s “Singwriter Standard” typeface. All glyphs are diagonally shaded giving just a delicate touch of ‘industrial...
by Staff · Published June 19, 2015
· Last modified December 28, 2022
Typeface for posters and signage. An extensive range of opentype features are incorporated:- Small Capitals, Title forms, stylistic alternates, old-style and lining numerals, ‘small capitals’ numerals, ligatures and so forth. A touch of flair...
by · Published May 26, 2015
· Last modified December 28, 2022
Informal does not have to mean aggressively modern or casual. Helenium is inspired by some hand drawn capitals that I found added to a 19th century map. It’s a great font for informal titles...
by · Published May 26, 2015
· Last modified December 28, 2022
Bromwich is a piece of brand new Edwardian fun. In the spirit of railway travel posters and illustrated news journals, it’s a wonderful font for poster design, or for book covers and other work...
by · Published May 26, 2015
· Last modified December 28, 2022
Fleete is a modern homage to the many late 19th century typefaces; often used for book titles, posters and newspaper headlines; which have an extreme contrast between hairline horizontal stems and serifs and heavy...
by · Published May 26, 2015
· Last modified December 28, 2022
I regard Sabio as an evolutionary face. By this I mean that it merges elements of script and Roman design into one elegant whole. The design was ‘evolved’ somewhere between these two classic approaches....
by · Published May 26, 2015
· Last modified December 28, 2022
These Fleurons are a bit of Easter fun, with humorous cartoon rabbits, little chicks, and lots of lovely chocolate eggs! Just the thing for that Easter card or party invitation.