font_designer: Paul Lloyd

Crewekerne Magister

Crewekerne Magister font

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...

Crewekerne Magna

Crewekerne Magna font

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...

Crewekerne

Crewekerne font

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...

Brosse

Brosse font

Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a ‘Brave New World’ sprit that harks back to the 1930s and possibly also to postwar rebuilding in...

Goldbarre

Goldbarre font

Goldbarre is a finely engraved slab serif face in the spirit of ‘between the wars’ commercial confidence. It’s a solid and dependable face of distinction for use on certificates and posters which need to...

Veneribe

Veneribe font

Veneribe -the Venerable face- is an experiment in what many today might call ‘grunge’, though we at Greater Albion would probably prefer to talk of rustic (or if we’re feeling really old-fashioned rustick) charm....

Paveline

Paveline font

Paveline is a punctuated script; by which we mean it has the look and character of handwriting, but the glyphs are discrete entities to aid legibility. It is actually based on a moderately stylized...

Cherritt

Cherritt font

We think of Cherritt as a ‘bullnosed’ serif face, because of its rounded off serifs. What that phrase may not convey is the friendly, approachable nature of this large family of faces. The design...

Slatterine

Slatterine font

Slatterine is a retro-futuristic family, inspired by the second streamline era of the 1950s It’s ideal for any design work that needs to suggest bygone visions of the future, or to have a retro-space-age...

Stannard

Stannard font

Stannard speaks to us of the happy days of the inter-war period, of enamel advertising ‘street-jewelry’ as seen on the railways and in all the best shops, of youngsters’ train set boxes and toy...