RMU Manolo
Manolo was a Ludwig & Mayer in-house design from the beginning of the 20th century. Though more formal than many others, the design keeps its Art Nouveau air. This beautiful font was completely redrawn...
font_designer: Ralph Unger
RMU Gong
Based upon an Arno Drescher design for Schriftguss, RMU Gong was freshly redrawn and redesigned and is intended for being a splendid font for headlines, subtitles, ads, posters etc.It comes with full sets of...
RMU Bison
RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European...
Senatsfraktur
Friedrich Bauer’s Senatsfraktur, coming in two styles, regular and bold, released by Genzsch and Heyse, Hamburg, in 1912, has come to life again.Both styles contain the traditional long s which can be accessed by...
Haenel Antiqua
This narrow neoclassical revival is based upon a font released by the Haenel Foundry, Berlin, in the 19th century.By typing [alt] + p respectively [alt] + b you have access to a framing element...
Fichte Fraktur
Walter Tiemann’s Fichte-Fraktur, released by Klingspor in 1934, has come to life again.This font contains the traditional long s which can be accessed by either the OT feature historical alternatives or by typing [alt]...
Schmale Mediaeval
This narrow neoclassical font is based upon Schelter & Giesecke’s Schmale Mediäval which was originally released in 1840.By typing [alt] + [shift] + p respectively [alt] + p you have access to the framing...
Hanse Textura
Inspired by a former Hermann Zapf design, Hanse Textura was completely redrawn and redesigned as an English-style blackletter font with a calligraphic touch. It comes also with the historical long s which can be...
Elbflorenz
Another jewel of the vast treasure of historical font designs was digged out and brought to life again. Due to the courtesy of the Quay Brothers, London, who yielded to me an age-old brochure...
RMU Gilgengart
RMU Gilgengart is a revival of Hermann Zapf’s beautiful calligraphic blackletter font which was cut and first released by Stempel in 1952.This font comes with fine ligatures and swash letters. Before working with this...