font_designer: Roland Hörmann

Antipol

Antipol font

Type Specimen: http://bit.ly/2mxRCcA Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s...

Antipol Variable

Antipol Variable font

With Antipol Variable, the reversed stress font was supplemented with Wide and Extended cuts in the Hairline weight. The ability to stretch single letters extremely wide is an exclusive goodie of the Variable version.Antipol...

Adhesive Nr. Seven

Adhesive Nr. Seven font

This sticky blackletter font owes its street credibility to the texture of torn adhesive tape. Designed to support rehabilitation of the historically tainted Fraktur, its pragmatically shaped majuscules guarantee legibility to a 21st-century…

Luxus Brut

Luxus Brut font

Luxus Brut breathes the spirit of hand lettered signage of the Fifties. It’s a formal script, inspired from a well concealed shop portal in Vienna/Austria. Large and distinctive capital letters (that won’t share the...

Neonoir

Neonoir font

Neonoir is an homage to neon lettering craftsmanship of the mid 20th century. The beautiful futuristic grace of wall-sized bent-glass hand-writing is distilled into a three-weight connected script that’s on the button for headlines,...

Aquus

Aquus font

Aquus is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures....

Luxus Brut Sparkling

Luxus Brut Sparkling font

Luxus Brut Sparkling developed from sketches for a bolder version of Luxus Brut (2009) that I made for a poster design. Interventions like slightly tightening the (still generous) spacing and amplifying the contrast between...

Gloss Drop

Gloss Drop font

Gloss Drop is a wild hand lettered typeface, that passed the process of digitization without losing the spontaneous vibrancy of brush lettering. With the power of OpenType it gets real close to what you...