P22 Grosvenor
Grosvenor is part of the Staunton Script Family of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Grosvenor font is...
font_designer: Ted Staunton
P22 Grenville
Grenville is part of the Staunton Script Family of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Grenville font is...
P22 Floriat
Rich curvilinear borders and corner pieces, based on organic forms, for use as individual ornaments or as repeat units in the creation of complex shapes and patterns.
P22 Elven
The rounded shapes of P22 Elven show the influence of the 10th-century Irish half-uncial. Effective for projects dealing with mystery, fantasy, or historical drama.
P22 Broadwindsor
Broadwindsor is part of the “Staunton Script Family” of fonts designed by Ted Staunton for his historic novel. The Broadwindsor font is a neatly written script with capitals and lower case in a close...
P22 Chatham
Chatham is part of the “Staunton Script Family” of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through 7 generations. The Chatham font is...
P22 Canterbury
Canterbury is a late Medieval Gothic font with a rough edge. This blackletter face is available with four different types of Capital initial letters or combined into one Opentype Pro font with all variations...
P22 Elizabethan
Elizabethan is part of the fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Elizabethan font is based on a style...
P22 Albion
An open, lightweight font of classical Roman proportions, designed for text or display setting. The serifs are slightly hooked, giving the face a liveliness on the baseline.
P22 Aragon
A whimsical font with robust curlicues. Designed for display lines on show programs, posters, print ads etc. Many—but not all—of the letters are based on rounded Lombardic medieval forms.