Karmina is a text typeface created by José Scaglione and Veronika Burian mainly for pocket books and budget editions. It was built to withstand the worst printing conditions: low quality papers, high printing speed...
by · Published May 26, 2015
· Last modified December 28, 2022
Originally inspired by wall lettering in a small Grecian chapel, the Crete typeface by Veronika Burian was adjusted considerably to work in text. It is perfect for display use where an unconventional and delightful...
by · Published May 26, 2015
· Last modified October 5, 2015
Karmina is a text typeface developed mainly for pocket books and budget editions. It was built to withstand the worst printing conditions: low quality papers, high printing speed with web presses and variations in...
by · Published May 26, 2015
· Last modified October 7, 2015
One of the most remarkable characteristic of this humanistic sans serif is its versatility. Ronnia’s personality performs admirably in headlines, but is diffident enough for continuous text and small text alike. The heavier weights...
by · Published May 26, 2015
· Last modified December 28, 2022
The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Inspired by early Czech type design, Veronika Burian’s Maiola is a contemporary typeface that is mindful of its heritage. Maiola creates a welcoming tension on the page by implementing oldstyle features and calligraphic reminiscences...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Conceived specifically for intensive editorial use, whether it is in newspapers, magazines or digital media, Abril is a font family of two worlds. The titling weights, based on a contemporary revamp of classic Didone...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Graphic designers know well that the art of composing titles correctly is not easy, especially when it comes to publications needing both flexibility and graphic coherence when dealing with dense amounts of information. Tablet...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
The Adelle Sans font family by José Scaglione and Veronika Burian provides a more clean and spirited take on the traditional grotesque sans. As is typical with TypeTogether typefaces, the most demanding editorial design...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its...