Our typefaces often reference each other, developing themes others have started. The oblique drawing of Elephant was originally designed as an alternate roman (ie vertical) typeface with features based on a true italic, with...
by · Published May 26, 2015
· Last modified December 27, 2022
Whereas blackletter types were hand written, Text letterforms are drawn using a series of graphic shapes that slot together in a series of permutations, one set for lower case and another for the upper...
by · Published May 26, 2015
· Last modified December 27, 2022
A decorative, maze-like multi-line typeface in two weights. Lower case is narrow, upper case is wide, the two can be mixed to give a variety of bold, dynamic effects.
by · Published May 26, 2015
· Last modified October 15, 2015
Progress is developed from another Alias typeface, Enabler, with purified, rounder, more organic forms to make it suitable for text and bold weights. Progress is a fluid, streamlined and dynamic type for text and...
by · Published May 26, 2015
· Last modified December 28, 2022
Originally developed as a logotype proposal for the Metropolitan Hotel in Park Lane, London. Available in upper case only, Metropolitan is a pure, streamlined, contemporary display typeface.
by · Published May 26, 2015
· Last modified December 28, 2022
A typeface derived from a logotype designed for New-Age electronic band System 7 in the early 1990s. Metsys is a soft-tech take on the monoline aesthetic. Letterforms are purified, rounded almost abstract graphic shapes.
by · Published May 26, 2015
· Last modified October 15, 2015