Sister
Our typefaces often reference each other, developing themes others have started. The oblique drawing of Elephant was originally designed as an alternate roman (ie vertical) typeface with features based on a true italic, with...
font_foundry: Alias
Sylvia
Not quite a sister typeface to Aminta, more a cousin.
Text
Whereas blackletter types were hand written, Text letterforms are drawn using a series of graphic shapes that slot together in a series of permutations, one set for lower case and another for the upper...
Perla
A display typeface, a didot in upper case only, but with a set of decorative alternate characters mixing semi-cyrillic and lower case influences.
Pop
A decorative, maze-like multi-line typeface in two weights. Lower case is narrow, upper case is wide, the two can be mixed to give a variety of bold, dynamic effects.
Progress
Progress is developed from another Alias typeface, Enabler, with purified, rounder, more organic forms to make it suitable for text and bold weights. Progress is a fluid, streamlined and dynamic type for text and...
Metropolitan
Originally developed as a logotype proposal for the Metropolitan Hotel in Park Lane, London. Available in upper case only, Metropolitan is a pure, streamlined, contemporary display typeface.
Metsys
A typeface derived from a logotype designed for New-Age electronic band System 7 in the early 1990s. Metsys is a soft-tech take on the monoline aesthetic. Letterforms are purified, rounded almost abstract graphic shapes.
Key
A bold, chunky typeface with architectural, geometric letterforms that further explores the manufactured or prefabricated aesthetic, the idea of constructing letterforms from a set of graphic shapes. Letters are treated as individual graphic…
Klute
Klute references stylised forms of writing; historic Germanic, blackletter letterforms and graffiti and tagging. Its references are based on a personal idea of lettering – the action of writing is more personal and human...