Simple, angular and incised, Jude mixes the geometric precision of the computer with expressive and intuitive letterforms. The typeface avoids classical references in construction and proportions to produce a bold, modern serif typeface for...
by · Published May 26, 2015
· Last modified October 15, 2015
A bold, chunky typeface with architectural, geometric letterforms that further explores the manufactured or prefabricated aesthetic, the idea of constructing letterforms from a set of graphic shapes. Letters are treated as individual graphic…
by · Published May 26, 2015
· Last modified December 28, 2022
Designed for the Glasgow 1999 typeface competition, Factory explores the idea of taking elements from Gaelic letterforms (as an historic British typestyle), such as the use of cut-off curved forms that suggest the action...
by · Published May 26, 2015
· Last modified December 28, 2022
A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space....
by · Published May 26, 2015
· Last modified December 27, 2022
Harbour is a clash of Latin and Germanic typestyles – two conflicting letterforms, culturally, politically and aesthetically. Latin letterforms have a geometric base, blackletter types are calligraphic. Harbour takes calligraphic forms that derive…
by · Published May 26, 2015
· Last modified December 27, 2022
A two version type family, Intimo One is a serif dot matrix typeface, letterforms made up of grid-based dots. Intimo Two is also made up of dots, but in this case the lines are...
by · Published May 26, 2015
· Last modified December 27, 2022
Aminta is an eclectic and expressive take on the Courier aesthetic. Aminta mixes the utility aesthetic of Courier, the default computer typeface and subversive piece of non-design graphic designers are presented with in the...
by · Published May 26, 2015
· Last modified December 27, 2022