font_foundry: Alias

Civility

Civility font

A script typeface drawn with a ball point pen, beautiful but idiosyncratic, distinctively modern rather than classical, writing rather than calligraphy.

Elephant

Elephant font

A contemporary interpretation of grotesque (historic) typestyle, relying on geometric shapes applied to a grid. Idiosyncrasies within the typeface are based on how this grid is constructed and applied rather than those inherent in...

Aminta

Aminta font

Aminta is an eclectic and expressive take on the Courier aesthetic. Aminta mixes the utility aesthetic of Courier, the default computer typeface and subversive piece of non-design graphic designers are presented with in the...

AES

AES font

The letterforms in AES are constructed from shapes echoing three dimensional structures and architectural elements, a series of shapes working together – shapes making letters (bigger shapes) making words (bigger shapes) etc.

Lily

Lily font

As with all our typefaces, we are searching for a point of difference, something that separates them from their surroundings. The idea of a seriffed script typeface is interesting, as the two are very...

Oban

Oban font

Originally drawn as a rebranding proposal for a fashion house, Oban takes inspiration from Thorowgood types and from sample books of wood cut fonts from the late nineteenth century, with their spirited and expressive,...

Ano

Ano font

A typeface designed for Another Man magazine. A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular – a ‘standard’ alphabet; Upper Lower – where upper case characters are replaced...

Cactus

Cactus font

A compressed, subtly eclectic typeface. 

Asphalt

Asphalt font

Asperity, Asphalt and Aspic, were designed for Another magazine issues 18 and 19, A typeface in three versions, Hard, Soft and Script, three typefaces with the same character shape, where hard is angular, Soft...

Progress Two

Progress Two font