Designed for attention and impact in advertising, the first Egyptians or slab serifs appeared at the beginning of the Industrial Revolution (1800s). They regained popularity following World War I and in 1930 Berthold released...
by · Published May 26, 2015
· Last modified October 2, 2015
H. Berthold released this Aldo Novarese design in 1984. Colossalis has slightly condensed character widths with flattened outer contours. Novarese designed this slab serif with a striking bold look, making it very useful for...
by · Published May 26, 2015
· Last modified October 3, 2015
Created for Berthold in 1976 by prolific designer Hermann Zapf. He said of his design “The basic idea was to create a roman which was to combine good legibility with a more human feeling”...
by · Published May 26, 2015
· Last modified October 3, 2015
Berthold first released Concorde in 1969. Günter Gerhard Lange designed this text face to meet the demands of today’s composing and printing technology. This contemporary design is a highly legible typeface well-suited for large...
by · Published May 26, 2015
· Last modified October 15, 2015
With condensed type gaining popularity in the 1970s, Berthold released Günter Gerhard Lange’s original design, Concorde Nova, in 1975. Though a condensed typeface, it has great legibility and is clear and appealing. Concorde Nova...
by · Published May 26, 2015
· Last modified October 18, 2015
Created for Berthold in 1982 by German designer Gustav Jaeger, Catull has a calligraphic feel with contrasting stroke weights and distinctive serifs. It is an eye-catching choice for both text and display applications. Catull...
by · Published May 26, 2015
· Last modified September 18, 2015
Günter Gerhard Lange designed this “fun” typeface for Berthold in 1957. Although a departure from his more serious designs, Champion shows Lange’s diversity.
by · Published May 26, 2015
· Last modified October 13, 2015
Christiana was designed for Berthold in 1991 by Gudrun Zapf-von Hesse. Its varied stroke weights and angled endings give this typeface an elegant, hand-lettered impression.