font_foundry: Dalton Maag

Bligh

Bligh font

Volina

Volina font

As a child, Francesca Bolognini dreamed of becoming an Olympic gymnast. She could play for hours with her ribbon wand, mesmerized by the exquisite fast-moving patterns created as its tail swirled and danced through...

Gelo

Gelo font

Gelo combines the elegance and playfulness of brush lettering with the structure and versatility of a slab serif to create an expressive and versatile font family. We designed Gelo for both print and digital...

Lemance

Lemance font

Inspiration for a new typeface design can come from many places: shifts in cultural trends, technological developments, historical research, and design experimentation. It can also be an idea that has been bubbling under the...

Lexia Mono

Lexia Mono font

A monospace cousin is the perfect addition to our existing Lexia family, a contemporary slab-serif design with remarkable versatility. Lexia Mono was drawn specifically with programmers and designers who work with tough compositional issues...

Mokoko

Mokoko font

Inspired by the blocky charm of historical geometric slab serifs, Mokoko combines a timeless look with progressive technology in multiple weights and styles. Supporting all European languages using the Latin script, and with seven...

Venn

Venn font

Venn has been designed to respond to the typographic needs of the most demanding brands and users, with 25 styles from Light Condensed to ExtraBold Extended. This range allows designers to choose the right...

Bressay

Bressay font

Bressay is a Scotch Roman design that captures the elegance and sobriety of a style most popular in the 19th century, but which meets the demands of modern print and digital technologies. Scotch Romans...

Calmetta

Calmetta font

Meet Calmetta, a reinterpretation of Pantograph, the wayfinding custom font we had originally designed for Manchester Metrolink. This is a typeface we were keen to revisit for our own library with the addition of...

Objektiv

Objektiv font

A New Look At Geometry Ever since calligraphic letterforms evolved into type, people have tried to rationalize the lines and curves of letter shapes into geometric forms. As far back as the 15th century,...