Whether as body copy or display text, the Lexia font family’s extended range of weights makes it remarkably versatile. It is a contemporary slab-serif font family, drawing its strength from the traditional typographic values...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
The Aller font family is an exceptional design that satisfies a wide range of uses – from a very personal wedding invitation to corporate mass-communication. Its tone of voice is soft and warm, with...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
There is something delightfully brisk about Verveine. It has a familiar energy, like that of a shopping list quickly jotted down, but despite this vitality, the design of Verveine is carefully considered and meets...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
Functionality is the key factor when choosing a typeface for corporate use, and the Viato font family delivers functionality on several fronts. It has exceptional legibility at text sizes but is recognizable and distinctive...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
Grueber is ideal for all display uses, with confidently deft character shapes and unusual serifs that create a massive impact. At first glance Grueber appears industrial with its slab serifs, yet a closer look...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
The Stroudley font family was originally designed with signage in mind, with its basic structures carefully crafted to save space while providing the highest possible legibility. A clear humanist sans font, Stroudley confidently assists...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
Neo-modernism is the background for Tephra. The font is firmly intended for use in titling and display environments, yet at smaller sizes it creates tantalizing patterns: typography becomes image. The grid dominates the Tephra...
by Staff · Published May 26, 2015
· Last modified October 5, 2015
Royalty is not a font design, it is a font concept. The characters are designed to form typographic patterns, within which the words are still discernible. All character shapes are based on geometric elements,...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
At first glance Dedica appears to be a traditional font which can be classified as a Modern style, but there are many subtle design details, such as asymmetric serifs, which differentiate it from the...
by Staff · Published May 26, 2015
· Last modified September 16, 2020
The inspiration for Plume’s distinctive character shapes came from the almost romantic elegance of the italic forms found in very early typewriter fonts. The potential softness is, however, tempered by the application of contemporary...