A condensed loose brush style. This font has a breezy elegance and casual sophistication, yet in a different context or color, it could be seen as nervous and urban. A weird dichotomy. Set in...
by · Published May 26, 2015
· Last modified May 17, 2024
A 14-weight sans family based on the original British ‘M.O.T.’ (Ministry of Transport) alphabet. A capitals-only, single-weight design was drawn up around 1933 for use on Britain’s road network, and remained in use until...
by · Published May 26, 2015
· Last modified May 17, 2024
An isometric grid of a font, Gridlock takes an italicised modular approach to its letterforms. It is, however, not willfully strict about the application of that grid – the W and V and S,...
by · Published May 26, 2015
· Last modified May 17, 2024
Playful and funky. The ideal choice for candy wrapping, teen magazines, toy packaging and the like. The reweighted condensed is useful where space is at a premium, and mixing the two weights freely leads...
by · Published May 26, 2015
· Last modified May 17, 2024
With its strong diagonal emphasis, Gentry is a humanised techno face that manages to also incorporate some strong calligraphic touches. Powerful in short and single-word settings.
by · Published May 26, 2015
· Last modified May 17, 2024
Designed originally for the BBC’s listings magazine “Radio Times”, this dingbat font has been extended to include the US rating as well as the UK ones and a selection of symbols for use on...
by · Published May 26, 2015
· Last modified May 17, 2024
A casual sans that harks back to the very English style of book jacket and poster art of the late 50’s and early 60’s. The turned-in terminals are reminicent of Stephenson Blake’s Grotesque 9,...