Steed
A condensed and bold obround sans inspired by 60s condensed inserat faces, with a more pronounced thick/thin stress as seen on the titles of the Avengers TV show.
font_foundry: Device
Kane
Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes’ “Batman: Black and White” comic book. It retains the signature reversed-stress weight distribution, seen...
Armstrong
An elegant geometric linking script that uses OpenType programming to intelligently substitute “beginning” and “ending” characters with uniquely designed variants. The family also includes swash alternates that can be toggled on or off in...
Cadogan
A freeform linking script that uses OpenType programming to replace beginning and ending characters with uniquely designed variants. Also includes ligatures and an extended t-bar carefully designed to not collide with ascenders. (Note: Please...
Clique
A clean elegant subtly flared serif in three weights suitable for high-fashion and luxury brand use.
Galleria
A geometric sans with chiselled terminals and alternate forms.
Glimmer
A backslanted outline font with a drop shadow and a glossy variant.
Raw
Raw was designed in 2006 for Shelter, the UK homeless charity. It was originally called “Cathy”, after the film “Cathy Come Home”, which was instrumental in inspiring the founding of the charity. Now reworked...
112 Hours
Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an eclectic and wide-ranging set....