font_foundry: Fine Fonts

Scorpio

Scorpio font

Scorpio is a font based on lettering Michael Harvey drew for the card “The Sign of The Nudge” which was designed in collaboration with the concrete poet, Ian Hamilton Finlay. The purpose of the...

Marceta

Marceta font

Marceta is based upon the uncial & half-uncial scripts of the fourth to eighth centuries. The font has been designed with different capital and lowercase characters which can be intermixed to give variation to...

Songlines

Songlines font

Songlines is based upon a pen-drawn script drawn by Michael Harvey to illustrate a poem by Johannes Thurman. The expressive and rough-edged letterforms of Songlines do not have any lowercase characters. Instead, alternative uppercase...

Tisdall Script

Tisdall Script font

Tisdall Script is based upon the brush-drawn script lettering of Hans Tisdall, who was the designer of many distinctive lettered book jackets for Jonathan Cape in the 1950s. Michael Harvey, also a designer of...

Fine Gothic

Fine Gothic font

Fine Gothic was developed over several years, and was partly inspired by the blackletter fonts of the great 20th century calligrapher and lettering designer, Rudolf Koch. Although blackletter has many historical and cultural associations...

Aesop

Aesop font

Aesop was developed from some book jacket lettering drawn by Michael Harvey for an edition of Aesop’s Fables by a master Japanese Artist. It is based upon a pen-drawn script, and is characterised by...

Balthasar

Balthasar font

Balthasar is a very distinctive, stencil-type display font. Its letterforms originally appeared on a lettered book jacket by Michael Harvey. Its highly condensed letterforms being very economic in the use of space. The augmented,...

Frieze

Frieze font

The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass...

Victoriana

Victoriana font

Victoriana arose from an inquiry from the Victorian Society for a Victorian font for their journal. As it turned out, no commission resulted, but interest in such a font was aroused in Andy Benedek....

Ruskin

Ruskin font

The origin of Ruskin was a commission for Michael Harvey to design a signage font for the Dean Gallery in Edinburgh. The style of the letterforms was to complement the period of the building...