Generous curves above and below the straight-sided Railroad Gothic parallel those of Figgins’ elephantine Grotesques, lending both British and American series their monumental qualities. Shrinking center strokes and counters to emphasize a massive…
by Staff · Published May 26, 2015
· Last modified October 16, 2015
Rave v. To talk wildly, as in a delirium; to talk or write with extravagant enthusiasm; to utter as if in madness. This wildly delirious, extravagantly enthusiastic, utterly mad typeface was drawn by Ken...
by Staff · Published May 26, 2015
· Last modified October 18, 2015
Spare and lighthearted, Rats was inspired by the personal hand of the illustrator Scott Nash. Its small body height and tall ascenders support an oldstyle spirit drawn from early second-century Roman cursive scripts. Rats...
by Staff · Published May 26, 2015
· Last modified October 2, 2015
In the mid-‘80s, Petr van Blokland designed Proforma for Purup, a leading supplier of forms systems. Oldstyle structure provides essential copyfit and legibility, leading ATypI to award Petr the Charles Peignot prize for distinguished...
by Staff · Published May 26, 2015
· Last modified October 2, 2015
Leslie Cabarga’s Raceway descends from three-dimensional jig-sawn plywood letters, automatically spaced and aligned on a slotted board by the connecting stroke. Even strokes and curves combine with everpresent horizontal strokes to create a…
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Phaistos was inspired by the vibrant life in Rudolf Koch’s 1922 Locarno, sometimes called “Eve” in the United States. David Berlow explored the design through 1989 and 1990, proofing and revising the structure of...
by Staff · Published May 26, 2015
· Last modified October 16, 2015
Sitting in a Paris cafe with a bottle of beer, Tobias Frere-Jones gave his attention to the label. It was set in a roman design wearing blackletter-like clothes, probably to suggest an origin in...
by Staff · Published May 26, 2015
· Last modified October 6, 2015
Poster Black revives the vivacity and freedom of the lettering artists of the thirties and forties. Their cheerful irreverence survives in photos from the period, the occasional surviving poster, and in manuals like the...
by Staff · Published May 26, 2015
· Last modified October 12, 2015
A display family originally designed during the mid-seventies by Jim Parkinson for Roger Black at a growing Rock & Roll magazine. Jim sees it as ‘a combination between the original logo by San Francisco...
by Staff · Published May 26, 2015
· Last modified October 17, 2015
While not a revival in the strictest sense of the word, Niagara recalls the crisp, elegant geometry found in some of the best American styles from the nineteen-thirties and -forties. The four condensed weights...