Woodruff
Woodruff was inspired by a piece of charmingly hand-lettered signwriters’ ornamental Roman seen on a half faded away brick wall, on the end of a row of shops. It has a naive hand drawn...
font_foundry: Greater Albion Typefounders
Bertoni
Bertoni is a high contrast Didone family of twenty faces, which combines extreme legibility with distinctive character. It is able to hold its own in modern usage while having features rooted in a deep...
Pardon Me Boy!
Pardon me boy, is that the Chattanooga Choo-choo? Well, not quite, but “Pardon Me Boy!” is a set of silhouette based ornaments capturing railway locomotives and rolling stock from around the world. Use it...
Arkwright
Arkwright, named for a well known fictional shopkeeper who kept his shop open all hours is inspired by traditional British (and transatlantic) shop signage. It is a spiritual companion and ideal companion to our...
Bonaventure
Bonaventure is a Roman display family full of the spirit of the Art Nouveau era, and joins our popular related group of families which also includes Bonning, Bonnington and BonaVia. Three weights are offered,...
Wellingborough
Wellingborough is a family of six late-Victorian inspired faces, principally for display work and headings but also including a text form suitable for use in ‘feature’ paragraphs and short documents. The regular, small capitals...
Zenia
Zenia, offered in regular and bold weights is a homage to the streamline era of the later 1930s. It’s a distinctive display family, glyphic yet still intuitive and easy to read. Use it anywhere...
Jonquin
Jonquin was inspired by some hand lettering seen on a World -War One recruiting poster. It’s a family of three faces for display work and headings designed to be used readily as an ‘All-Capitals’...
Luscombe
Luscombe is a boisterous and lively display face, recalling the shaded and outlined faced much beloved of 1920s poster and advertising artists, while offering a regularity of outline that those faces often did not...
Haymer
Haymer stands at the apogee of legibility and clarity. Its design embodies symmetry, even stroke widths and a subtle rounded quality to give an instinctive appeal to the reader and to the designer. Haymer...