A type family originally developed for New York’s Whitney Museum, Whitney contends with two different sets of demands: those of editorial typography, and those of public signage.
by Staff · Published December 27, 2022
· Last modified May 15, 2024
For everyone who’s ever wished Clarendons had italics, everyone whose favorite slab serif is shy a few weights, and everyone who’s ever needed a slab serif to thrive in text: we designed Sentinel for...
by Staff · Published December 27, 2022
· Last modified May 15, 2024
A type family originally developed for New York’s Whitney Museum, Whitney contends with two different sets of demands: those of editorial typography, and those of public signage.
by Staff · Published December 27, 2022
· Last modified May 15, 2024
Every historical revival involves creating things that the original source lacks. In the case of Acropolis, the traditional grecian style has been outfitted with a crucial component which past typefounders neglected to provide: an...
by Staff · Published December 27, 2022
· Last modified May 15, 2024
An inline adaptation of a distinctive slab serif, Cesium is an unusually responsive display face that maintains its high energy across a range of different moods.
by Staff · Published December 27, 2022
· Last modified May 15, 2024
Ziggurat is the cornerstone of the Proteus Project, a collection of four interchangeable type families designed in different nineteenth century styles.
by Staff · Published December 27, 2022
· Last modified May 15, 2024