Erato follows the structure of french and dutch 17th century types. But instead of being historical, it uses modern formal elements. The simplification of similar formal elements creates a homogeneous and contemporary impression. Erato...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Cala is a reflection of Venetian Renaissance types but with a contemporary look. It has an energetic profile, achieved through soft outlines and a flowing rhythm. It is lively, remains stable in small sizes...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Corda – an elegant serif family with an easygoing, flowing ductus. It is semi-contrasted and even in the heavier styles appears light and breezy. Pleasant for reading and in display sizes very attractive. Corda...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Cassia – a dynamic ‘Egyptienne’ with contrasting Italics and a classical appearance. More individual and agile and less cold than most Slab Serifs, it joins impetuosity with vitality. In display sizes it dazzles through...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Sonus – a new monoline family with dynamic-flow drive. Influenced by early English sans serifs – Powerful and energetic but with some classical features. Its firm structure makes it great for text and demonstrates its lively linearity...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Sina is a strong, sturdy and self-confident serif accented face. Distinct ascenders and descenders in classical proportions ensure pleasant reading. Robust but assertively warm, it recalls and references the virtues of early classical printing...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Foro was designed in 2012 to be a slab serif with an appealing flow, warm, and less harsh than many slab serifs. It evinces an attachment to humanistic shapes, models and proportions. Foro’s demonstrated...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Sina Nova is the slimmer sister of Sina. It has a slightly vertical tendency, a higher x-height which makes it more open in small text sizes. Its economical proportions allow an even more universal...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Ashbury derives its inspiration from 18th century transitional types such as Caslon and Baskerville. It is, however, not a revival but interprets formal aspects in a new and individual fashion. With a flowing outline,...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Epoca-Classic, designed in 2012, is the contrasted sister of Epoca, also suited for text and display. As is the case with Epoca, Epoca-classic has economical proportions, a neutral appearance and a discreet elegance. It...