Erika Hand
Erika Hand is an informal handwriting font with rough edges. The handwriting style used by the Indian Type Foundry to design the font was very casual. The letters do not connect; each is its...
font_foundry: Indian Type Foundry
Fielder
Fielder is a sans with an instantly-recognisable source of inspiration from the world of athletics. That’s right: this is a display typeface designed for sports jerseys! All the letterforms’ curves have been straightened out...
Griff
Griff is a family of sans serif typefaces with unusual stroke contrast. The ‘middle’ parts of many of the fonts’ letterforms are drawn with much thinner strokes than those found in the rest of...
Folito
Folito is a modernist sans serif typeface. Its design combines typically grotesk-style letterforms, with some characters that are quite geometrically-designed. In terms of its appearance, Folito was inspired by Modernism and Industrial-Era graphic…
Hedra
Hedra is an experimental sans with monolinear strokes mixing two typographic strands. On the one hand, the letterforms are very geometric: ‘O’ and ‘o’ are nearly perfect circles with just a small bit of...
Kihim
Kihim in a single-weight display typeface. It is grid-based design – and a very decorative one at that. All of its letterforms are set on an extreme angle. The ‘tops’ and ‘bottoms’ of each...
Kola
Kola is a technoid stencil-style sans serif font. All of the stroke endings in Kola’s glyphs are rounded, and the overall effect of Paris-based type designer Jean-Baptiste Morizot’s stencilling is a bit reminiscent of...
Matteo
Matteo is a family of geometric sans serif fonts. Designer Diana Ovezea has given the family an Italian name so that users might call fast cars to mind when they see it. The family...
Picket
Picket is a family of very narrow sans serif fonts designed for use in display typography. They feature an enormous x-height; the lowercase letters are almost as tall as fonts’ capitals. In each of...
Passenger Serif
Passenger Serif is a Clarendon-style font family designed for use in long passages of text intended for immersive reading. It takes the idea of mid-nineteenth century English Clarendon types – like vertical axes of...