font_foundry: Jeff Levine

Hand lettering from the opening credits of Alfred Hitchcock’s “Strangers on a Train” (1951) inspired Train Car JNL, which is available in both regular and oblique versions.

The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.This served as the...

Take a classic Western wood type where the horizontals are thicker than the verticals and remove the slab serifs… The result is Western Sans JNL, which is available in both regular and oblique versions.

Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.

There is no doubt that the 1941 version of “The Maltese Falcon” was superior to the prior two attempts by Warner Brothers at filming Dashiell Hammett’s 1930 novel.Sam Spade was perfectly portrayed by Humphrey...

The opening titles and credits of the 1947 film comedy “The Egg and I” were done in a hand lettered casual sans serif typeface which inspired the digital font Egg Farm JNL; available in...

The hand lettered film credits for 1937’s “Make Way for Tomorrow” were done in a sans serif design with an ever-so-slight flare and a slightly semi-calligraphic look.Unusual in both style and varying character thicknesses,...

The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique...

The hand lettered titles and credits from the 1958 war film “The Young Lions” command your attention with a bold block slab serif type style.This design has been digitally recreated as No Entry JNL,...

The hand lettered credits for the 1942 film comedy “I Married a Witch” were so unusual (with their mix of rounded and flat terminals and varying character shapes) that the only logical name for...