Designed by Jure Stojan, JY Saj is a typeface family that successfully balances the artistic and the conventional. With 10 weights (UltraThin to ExtraBold, with italic complements), it works at a variety of sizes,...
by · Published May 26, 2015
· Last modified May 15, 2024
Jure Stojan first created JY Klin for a student magazine in Ljubljana, Slovenia. ‘It was borne out of my frustration with layout [programs] and their taste for messing with decent fonts (making the headline...
by · Published May 26, 2015
· Last modified May 15, 2024
Based around the Australian boomerang, Greg Bastin’s design originally appeared on private Christmas cards and individual projects. It was formalized into a font in 2002 by David Philpott (JY Circles) and brings a quirky...
by · Published May 26, 2015
· Last modified May 15, 2024
Inspired by architecture and hand-lettered posters of the 1940s, JY Koliba makes a statement that is very 21st century. With an ultra-light weight plus an elegant book and bold, Koliba was designed to be...
by · Published May 26, 2015
· Last modified May 15, 2024
Based on electrical circuitry, David Philpott’s Circles typefaces are oddly legible, even though one might think they were destined for display usage only. The circle is the base form, repeated throughout the design. Originally...
by · Published May 26, 2015
· Last modified May 15, 2024
JY Raj has had a lengthy gestation. The original one was a sans serif adaptation of a slab serif typeface design by Jure Stojan. Raj looked instantly better as a sans serif. After refining...
by · Published May 26, 2015
· Last modified May 15, 2024
JY Rebeca was our first attempt using Fontographer to develop a typeface from scratch. It possesses some experimental characteristics in its design, e.g. the mixture between a transitional and modern typeface.
by · Published May 26, 2015
· Last modified May 15, 2024