Pietra is a Baroque-inspired, all-majuscule type design, based on the massive five-foot tall mosaic lettering high above the floor in St. Peters in Rome. The font includes two sets of capitals: full sized, proportioned...
by · Published May 26, 2015
· Last modified May 15, 2024
Kryptic is based on a design for computer optical character recognition (OCR) from the 1960s developed by Epps & Evans at the National Physical Laboratory. Its pure geometric and elemental shapes create graphic patterns...
by · Published May 26, 2015
· Last modified May 15, 2024
Longhand is a script design modeled on casual handwriting. Its subtle rough edge and line variation simulate cursive writing on text paper. The font, optimized for legibility, works equally well at small sizes for...
by · Published May 26, 2015
· Last modified May 15, 2024
Manito was designed by Garrett Boge in 1989. He employed a wide pen and angular, sturdy forms to simulate rough-hewn woodcut letters. The font, consisting of both capitals and small caps, provides an ideal...
by · Published May 26, 2015
· Last modified May 15, 2024
Hardwood is a reworked foundry typeface from the 1930’s, providing an interpretation of the Art Deco graphic style. It harkens back to the golden era of poster design and Hollywood movie marquees, while retaining...
by · Published May 26, 2015
· Last modified May 15, 2024
Koch Original is a revival of the original cut of Rudolf Koch’s classic sans serif, Kabel, retaining its tall ascenders and art deco flavor. It is suitable for both text and display setting.
by · Published May 26, 2015
· Last modified May 15, 2024
The Kolo family was designed by Paul Shaw, inspired by the lettering of Koloman Moser, Gustav Klimt, Alfred Roller and other members of the Secession, Vienna’s turn-of-the-century Art Nouveau movement. Kolo’s family variants—narrow, regular,...
by · Published May 26, 2015
· Last modified May 15, 2024
Goteborg is a an original italic typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its graceful yet sturdy character shapes were inspired by twentieth century Swedish lettering. The face is...
by · Published May 26, 2015
· Last modified May 15, 2024
Hadrian Bold pushes the limits for an extra-condensed titling face. Though remaining in the tradition of the 20th-century ‘grotesque’ designs, its heavy verticality and tight spacing demand attention for headlines at virtually any size.
by · Published May 26, 2015
· Last modified May 15, 2024
Florens is a flourished, semi-formal script that designer Garrett Boge modeled after his own italic calligraphy, which is a contemporary version of the chancery script of the Italian Renaissance. In addition to the standard...