Hermann Zapf made his first sketches for Orion in 1963. Zapf’s aim was to create a neutral text face that could be ideally used as a newspaper face. Its stroke thickness and open letterforms...
by · Published May 26, 2015
· Last modified May 15, 2024
Linotype Merlin is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. This font was designed by Anne Boskamp and its alphabet...
by · Published May 26, 2015
· Last modified May 15, 2024
ASV Codar is a modern Arabic text typeface with two weights: ASV Codar Light and ASV Codar Bold. Both of the fonts include Latin glyphs (Palatino Roman and Palatino Bold), allowing a single font...
by · Published May 26, 2015
· Last modified May 15, 2024
The original name for Ambigue was “Confidence”. This font family received the first prize at the German Kurt Christians-Foerderpreis in 1997/98. Its interpolated weights offer a subtle differentiation in the grey levels. A special...
by · Published May 26, 2015
· Last modified May 15, 2024
Amer was originally designed for dry transfer and redrawn and digitized by Adrian Williams. Amer is a modern Arabic headline face, which includes Latin glyphs from Kabel Book, allowing users to set text in...
by · Published May 26, 2015
· Last modified September 9, 2015
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts. Sehrer recommends this family for posters, logos, and restaurant menus. It works well with traditional sans serifs...