Firas, designed by Abbas Al-Baghdadi in 2005, is a traditional Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold with very high level of contrast....
by · Published May 26, 2015
· Last modified May 15, 2024
Frutiger Capitalis Regular and Outline belong to the group of typefaces for the Linotype’s Type Before Gutenberg project. However, they are not based on direct historical sources. At first glance, they may seem related...
by · Published May 26, 2015
· Last modified May 15, 2024
Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A heritage from...
by · Published May 26, 2015
· Last modified May 15, 2024
Bernhardt Standard, which was designed in 2003 by Julius de Goede, is a flowing Bastarde script. Bastarde is one of the sub-categories of Blackletter typefaces. The term Blackletter refers to typefaces that have evolved...
by · Published May 26, 2015
· Last modified May 15, 2024
Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A heritage from...
by · Published May 26, 2015
· Last modified May 15, 2024
The impulse behind André Maaßen’s design of the Anno typeface was the design of a New Year’s card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into...
by · Published May 26, 2015
· Last modified May 15, 2024
Matthew Carter’s revival of the hand of the early eighteenth century English writing master, George Shelley; the face is traditional, and is made in three degrees of flourish.
by · Published May 26, 2015
· Last modified May 15, 2024