Poetica
Poetica font was designed by Robert Slimbach in 1992 with particularly generous characters. The typeface family consists of 21 weights to allow for an unusual variety of design possibilities within one typeface family. Numerous...
font_foundry: Linotype
Ponderosa
Ponderosa font is a joint work of the typeface designers K.B. Chansler, C. Crossgrove and C. Twombly, who also created Rosewood, Zebrawood and Pepperwood together. As the name suggests, it is so-called wood type....
Pompeijana
Pompeijana is a part of the 1990 collection Type before Gutenberg 2’, which includes twelve contemporary typefaces each representative of a particular era. Pompeijana is Adrian Frutiger’s contribution to the project Type before Gutenberg’....
Poplar
Poplar is an Adobe Originals typeface designed by Barbara Lind in 1990 for the Adobe Wood Type series. Poplar, a Gothic condensed, was designed from photographs taken by Rob Roy Kelly of the one...
Palatino
Hermann Zapf’s first popular typeface, based on his own elegant calligraphy, effective in text and display, carrying little trace of the Trump Mediaeval eccentricities.
Olympian
Designed by Matthew Carter and intended for newspaper use. Contemporary newspaper columns are narrow and require typefaces that are efficient in their use of width. The old-style diagonal emphasis is used to obtain maximum...
Omnia
Omnia is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. In designing Omnia, Karlgeorg Hoefer was inspired...
Optima
Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its...
Notre Dame
Notre Dame is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all...