“I originally drew the primary characters with a felt tip marker, scanned them and then proceeded to noodle on the computer,” says George Ryan of his new typeface, Koorkin. “Over the years, I’ve designed...
by Staff · Published May 26, 2015
· Last modified January 1, 2025
There is almost no other font that conveys a sense of speed better than the bold but dynamic letters of Titanium Motors™ by Steve Matteson. Use this headline font to create exciting software titles,...
by Staff · Published May 26, 2015
· Last modified January 1, 2025
Wolfsblood is a new display face by Jim Ford, adapted from hand-lettered logos spawned by punk rock bands like The Misfits and Bad Brains. The style can be traced back further to Hollywood and...
by Staff · Published May 26, 2015
· Last modified January 1, 2025
The Burlingame™ typeface family from Carl Crossgrove is a sturdy typeface with open, clear shapes that offer high legibility, even in constrained digital settings, or in challenging print environments such as tiny pharmaceutical labels....
by Staff · Published May 26, 2015
· Last modified January 1, 2025
“My goal was to make a design that might fit in anywhere,” says Jim Ford about his Quire Sans™ typeface. “I wanted it to be highly functional and sexy at the same time.” With...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Esca is a display typeface designed by Jim Ford with highly compressed proportions yet with a subtle calligraphic touch. This Lite version of the typeface was designed as part of a font marathon over...
by Staff · Published May 26, 2015
· Last modified January 1, 2025
Cowhand is a display typeface designed by Toshi Omagari to keep words at one specific width. Words of one letter will have one very wide character, words of two letters will have characters of...