Jim Ford’s Hideout typeface is definitely walking on the wrong side of the law. Inspired by the flared serif lettering of antique tobacco tins, its sturdy shapes are confident, eye-catching, and hark back to...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
Hombre™ is a sure-fire attention-getter for projects requiring a straight out of the old west flavor. Authentic, weather-beaten, time-ravaged, and a bit haphazard, it’s also a sure-fire attention-getter. Drawn by Thomas Oldfield and loosely...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape – Carnero has a...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
Elicit Script is a hybrid script family, that can be as casual or formal as the occasion demands. Created by Laura Worthington and Jim Wasco, the design is based on pointed pen Spencerian Script...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
The Cavolini™ typeface family, by Carl Crossgrove, is unique to handwriting fonts. It is a family of several designs, and it was developed for imaging on small screens. While drawn for a specific use,...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
This four-piece family is the DIN design, but not as you know it. The famously, crisp, clean and precise typeface has been given a textured update that’s reminiscent of rusted metal, or rubber stamps....
by Staff · Published April 9, 2019
· Last modified October 30, 2024
Sabina Chipară’s DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
Akira Kobayashi’s Between™ typeface comes in three main states. While different from each other, they all offer human-centered design to ensure that copy set in them is affable and approachable. An added benefit is...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to...
by Staff · Published April 9, 2019
· Last modified October 30, 2024
Emil Bertell’s Bayamo is a contemporary, digital take on the brush script tradition. It echoes the loose forms and energetic personality of sign painted letters, tapping into the current nostalgia for hand-drawn type. “I...