Malou Verlomme designed Madera with graphic designers in mind – drawing on his decade of experience designing bespoke type to create a versatile, easy-to-use geometric sans serif that ticks off a long list of...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Malden Sans is a mischievous grotesque sans serif with charming details that gives designers a solid typographic voice. It was created by Michele Patanè with regular and condensed widths, as a utilitarian typeface family...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
The Masqualero™ family is a versatile solution for a deep and broad range of applications. In large sizes, the heavier designs are dark and handsome, while the lighter weights are charming and friendly in...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition – which preserves the typeface’s Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Hesse Antiqua is the very first typeface designed by Gudrun Zapf von Hesse. It was a pioneering project originally created by her over 70 years ago as a set of brass punches to stamp...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Jim Ford’s Hideout typeface is definitely walking on the wrong side of the law. Inspired by the flared serif lettering of antique tobacco tins, its sturdy shapes are confident, eye-catching, and hark back to...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Hombre™ is a sure-fire attention-getter for projects requiring a straight out of the old west flavor. Authentic, weather-beaten, time-ravaged, and a bit haphazard, it’s also a sure-fire attention-getter. Drawn by Thomas Oldfield and loosely...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.
by Staff · Published April 9, 2019
· Last modified January 1, 2025
This four-piece family is the DIN design, but not as you know it. The famously, crisp, clean and precise typeface has been given a textured update that’s reminiscent of rusted metal, or rubber stamps....
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Sabina Chipară’s DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and...