Sabina Chipară’s DIN Next Shapes typeface is a twist on the original German industrial classic, taking its skeleton and re-clothing it in dots, hearts, snowflakes and stars. The design offers a more approachable and...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Akira Kobayashi’s Between™ typeface comes in three main states. While different from each other, they all offer human-centered design to ensure that copy set in them is affable and approachable. An added benefit is...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Carnero™ is a feisty hybrid of precise geometry and calligraphic flair; a design that walks that fine line between being sensible and a standout. In an increasingly monotone typographic landscape – Carnero has a...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Elicit Script is a hybrid script family, that can be as casual or formal as the occasion demands. Created by Laura Worthington and Jim Wasco, the design is based on pointed pen Spencerian Script...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Emil Bertell’s Bayamo is a contemporary, digital take on the brush script tradition. It echoes the loose forms and energetic personality of sign painted letters, tapping into the current nostalgia for hand-drawn type. “I...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Inspired by butcher shop and supermarket window advertising, Beefcakes™ emulates “big brush” style lettering – with a contemporary twist. Not for the typographically timid, this is a design that makes a powerful and friendly...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Amarone is a spiky calligraphic display typeface with some old fashioned flavour. It was designed by Carl Crossgrove, and includes an extensive set of swash caps which allow for extra drama where needed. Crossgrove...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
There’s an appealing quirkiness about Amrys, which offers a confidently unusual alternative to more conventional designs. Its charm lies in its tapering tips, flexing stems, and unexpected notches, which combine to suggest something of...
by Staff · Published April 9, 2019
· Last modified January 1, 2025
Despite being drawn digitally, Angeletta is a typeface in the hand-lettering tradition. It draws on designer Rob Leuschke’s three decades of experience with pen and ink, including his time creating scripts for Hallmark Cards....