MVB Magnolia
A comfortable tuxedo, a bright boutonniere, and a spring in your step. With Magnolia, Mark van Bronkhorst’s aim was to convey a sense of formality without stiffness. The slim lines and swooping vertical strokes...
font_foundry: MVB
MVB Greymantle
Kanna Aoki had fairy tales in mind when she designed MVB Greymantle. She drew dots with a felt pen to build up the forms, giving them their particular rough character. The “Extras” font contains...
MVB Emmascript
Kanna Aoki drew the letters for MVB Emmascript while on a picnic near the Conservatory of Flowers in San Francisco’s Golden Gate Park. Mark van Bronkhorst adapted the writing as a font that maintains...
MVB Celestia Antiqua
Mark van Bronkhorst designed MVB Celestia Antiqua at a time when font choice was limited. Design was characterized by overuse of the few fonts that came with laser printers. A rustic typeface, recalling the...
Bossa Nova
Bossa Nova is intimate, soft and controlled. Bossa Nova is syncopated rhythms and understated emotion. Capture its essence with the typeface of the same name, based on hand lettering by an uncredited scribe in...
MVB Embarcadero
MVB Embarcadero lies in a space between grotesque sans serifs and the vernacular signage lettering drawn by engineers. It’s a style that happens to convey credibility and forthrightness without pretense—it’s anti-style, actually. All of...
MVB Verdigris Pro
Garalde: the word itself sounds antique and arcane to anyone who isn’t fresh out of design school, but the sort of typeface it describes is actually quite familiar to all of us. Despite its...
MVB Solitaire Pro
A typeface is a tool. Sure, there are frilly fonts that are more art than craft, showy faces that exist merely to call attention to themselves. But, in the end, any functional typeface worth...