Crassula
Crassula is a versatile display font. Like the plant of the same name (Crassula, jade tree, money plant), which has thick juicy leaves, the font is distinguished by rounded contours and smoothed out forms...
font_foundry: ParaType
Clincher
Clincher is a set of monospaced and duospaced fonts designed specifically for program coding and user interface design. Distinctive font design and multiple alternates allow to use it in advertising, wayfinding and signage as...
Circe Slab
Circe Slab is a slab version of the popular geometric sans serif Circe. It contains variations in weight and contrast, including three regular styles that range from non-contrasting geometric to almost typical book serif...
Stem Text
Stem Text is a workhorse typeface, a geometric sans-serif with a semi-closed aperture and a large x-height. The design of Stem Text allows to use it in body text sizes as well as in...
Dessert Script
Dessert Script is a display font in one style based on flat brush calligraphy. It combines the smoothness of contours, overall dynamics of text setting, open and friendly nature. Dessert Script is good for...
DIN 2014
DIN 2014 is a contemporary version of a well-known DIN typeface. The Regular performs well in long text settings, while Light and Bold faces are extremely legible at large sizes. Type family spans 18...
Liberteen
Liberteen is a display typeface combining contemporary sharpness of lettershapes and post-modern irony in details with historical roots. The typeface is based on slab-serif faces of the 19th century including famous Clarendon. Liberteen is...
Carol Gothic
Carol Gothic is a traditional blackletter face closest to Linotype’s Old English. Typefaces of that style were used quite frequently in the 19th century English typography, so Carol Gothic fits perfectly for Victorian–looking designs...
Literaturnaya
Designed at Poligraphmash circa 1940. Based on Latinskaya of the H. Berthold (St.Petersburg, 1901), Cyrillic version of Lateinisch of H.Berthold (Berlin, 1899). This digital version developed at ParaGraph in 1996 by Lyubov Kuznetsova. The...
Lazurski
Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by...