Calendula
Calendula is a humanistic font with low contrast and one-sided serifs. There are eight styles: four regular of different weights from Light to Bold and corresponding italics. The main set of regular styles is...
font_foundry: ParaType
Bombarda
Bombarda is a big gun, and surely a font named like that must have specific dimensions in order to make the text sound loud and powerful. Due to extreme thickness of basic strokes and...
Baskerville Display PT
Baskerville Display PT is a type family intended for large and extra large point sizes. It was inspired by the faces of John Baskerville and designed for expressive display typography. Two weights of Baskerville...
Stem Text
Stem Text is a workhorse typeface, a geometric sans-serif with a semi-closed aperture and a large x-height. The design of Stem Text allows to use it in body text sizes as well as in...
Dessert Script
Dessert Script is a display font in one style based on flat brush calligraphy. It combines the smoothness of contours, overall dynamics of text setting, open and friendly nature. Dessert Script is good for...
DIN 2014
DIN 2014 is a contemporary version of a well-known DIN typeface. The Regular performs well in long text settings, while Light and Bold faces are extremely legible at large sizes. Type family spans 18...
Liberteen
Liberteen is a display typeface combining contemporary sharpness of lettershapes and post-modern irony in details with historical roots. The typeface is based on slab-serif faces of the 19th century including famous Clarendon. Liberteen is...
Carol Gothic
Carol Gothic is a traditional blackletter face closest to Linotype’s Old English. Typefaces of that style were used quite frequently in the 19th century English typography, so Carol Gothic fits perfectly for Victorian–looking designs...
Literaturnaya
Designed at Poligraphmash circa 1940. Based on Latinskaya of the H. Berthold (St.Petersburg, 1901), Cyrillic version of Lateinisch of H.Berthold (Berlin, 1899). This digital version developed at ParaGraph in 1996 by Lyubov Kuznetsova. The...
Lazurski
Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by...