Seravek is a linear sans serif designed for identity, editorial and information design. Five weights spanning Bold to Extra Light with italics and small caps allow for a range of applications both typographic and...
by · Published May 26, 2015
· Last modified October 6, 2015
Seravek Basic is a linear sans serif designed for identity, editorial and information design. Five weights spanning Bold to Extra Light with italics for each allow for a range of applications both typographic and...
by · Published May 26, 2015
· Last modified October 15, 2015
Klavika is a flexible family of sans serifs for editorial and identity design. Features such as small caps, true italics, extended language support and multiple numeral styles make Klavika an ideal workhorse typeface.
by · Published May 26, 2015
· Last modified October 5, 2015
Maple is a flamboyant family of types inspired by the irregular grotesques of the 19th and early 20th centuries. The family features four weights, companion italics and with the OpenType version, extended Latin support...
by · Published May 26, 2015
· Last modified October 5, 2015
Long since replaced by computers, the mechanical lettering kits used by draftsmen and amateur sign makers served as the inspiration for the Bryant family of typefaces.
by · Published May 26, 2015
· Last modified October 2, 2015
Long since replaced by computers, the mechanical lettering kits used by draftsmen and amateur sign makers served as the inspiration for the Bryant family of typefaces.
by · Published May 26, 2015
· Last modified October 16, 2015
Long since replaced by computers, the mechanical lettering kits used by draftsmen and amateur sign makers served as the inspiration for the Bryant family of typefaces.
by · Published May 26, 2015
· Last modified October 3, 2015
Although Capucine defies traditional categorization, it sits in a genre we are drawn to as users of type: a face with distinct personality able to straddle the worlds of both text and display with...