My goal for Harfang was to create a serif typeface that would be easy to read at text sizes, while having a strong personality at larger sizes. The initial design had a purely rounded...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
For Vidange, artist Jack Usine set out to create a “kind of unclassifiable bastard typeface, something between text and display… geometry and humanism… with a strong presence of French vernacular sign lettering.” Vidange’s inspirations...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
HaruNami (“spring wave”) fuses Japanese ornamentation with the Roman alphabet. All the motifs in the typeface are based on traditional Japanese wave ornamentation. HaruNami has a unique stylistic system that ranges from Simple to...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
“Growing up in Iceland, I was exposed to Scandinavian modernism from an early age. My parents had Arne Jacobsen furniture around the house and I was always enticed by the fun shapes and colors….”—SK...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
Eidetic Modern is the sanserif counterpart to Eidetic Neo. Both families were developed in tandem, however the Modern was the first to be published by PSY/OPS [1997]. Eidetic Modern’s features — gently tapered stems,...
by Staff · Published May 26, 2015
· Last modified May 15, 2024
Bitblox fonts are based on the lettering created for Glyfyx’ eponymous wooden alphabet blocks. The characters are inspired by the low-res bitmap lettering seen on early generation computer devices. The Bitblox family consists of...